![]() ![]() The tower is traditionally colored in three tones of brown only, the darkest being used at the base. The base has the darkest colors while the top of the tower seems almost merged and fused with the atmosphere being only barely perceptible. Dark and light blue, orange and white colors have been mainly employed in the creation of this painting. The 1889 painting of the Eiffel Tower by George Seurat is an excellent example of pointillism. ‘The Eiffel Tower’ – George Seurat ‘The Eiffel Tower’ – George Seurat Teenagers have sketched the Eiffel Tower in colors of their choice, and instead of its brown color they have used a rainbow of colors. In such paintings, even the boats and surface of the river also seem to be cold and at a standstill. There had been many painters who treated the Eiffel Tower like an object of central attraction in their paintings, showing it like an embodiment of tranquility. In 1910 he contributed to cubism through a series of his paintings of the Eiffel Tower. ![]() Robert Delaunay, for example, was the French painter who first introduced vibrant colors in cubism. Objects are visualized by people according to their own perceptions. People of all ages from all parts of the globe have visited this global landmark which is iconic not only to Paris but to the whole modern civilization. However this still leaves the question of what exactly a professional is and if publishing the photo on revenue based social media sites like Facebook and/or Instagram is considered professional use.Ever since the flag of France was unfurled on top of the Eiffel Tower, on the day it was completed on March 28, 1889, it has continuously attracted an enormous number of visitors. This clearly states that from their point of view photography for private use is permitted. However, professionals must contact our teams, who will inform them of the conditions of use governing images." Views of the Eiffel Tower taken by private individuals for private use do not require prior agreement. This use is subject to payment of rights, the amount of which is determined by the intended use, the media plan, etc. The use of the image of the Eiffel Tower at night is therefore subject to prior authorisation by the SETE. The various illuminations of the Eiffel Tower (golden illumination, twinkling, beacon and events lighting) are protected. 148).īUT even the SETE (Société d’Exploitation de la Tour Eiffel ) says on the Eiffel Tower website ( ): With freedom of panorama not in place, it is now technically also illegal to photograph the tower illumination (Source: Rau, Wolfgang: "Recht für Fotografen", Rheinwerk, 3rd ed., 2017, pp. The 2005 decision by the French government to not opt for the freedom of panorama changed this, at least from a strictly legal perspective. The illuminated Eiffel Tower has been the go-to choice when teaching people about copyright in photography and the related pitfalls since the 19 court rulings that established the night time illumination as a work of art. ![]() Lead image credit: Stephen Leonardi on Unsplash. Having said that, there are very few cases in which the copyright holder takes action against someone using a photo of the landmark the majority of claims are against large corporations. However, the lights installed on the Tower in 1985 are considered an independent work of art, and thus, the right to legally take photos of the structure at night is still many decades away. The creator of the Eiffel Tower died back in 1923, meaning the restrictions on photographing it expired in 1993. However, France is one of a number of countries that chose to opt out of the freedom of panorama via a loophole in EU law. By way of copyright law in the European Union (EU), any artistic work, be it a photo, painting, song, or even building, is protected “for the lifetime of its creator, plus 70 years.”Ĭommon sense does generally prevail, in that many countries operate a “freedom of panorama” law, whereby cityscape photography is permitted on the basis that the “artwork” - or building - is not the main focus of the piece. ![]()
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